Basic Head Construction : 1
Fig : Basic Head Construction: 0
Step 1:
Fig: Head Construction1:1
Step 2:
Fig: Head Construction1:2
Step 3:
Fig: Head Construction1:3
HINT: Due to perspective the eye closer is larger than the eye farthest from us. The centerline shows us the left and right direction the ball (or character) is facing.
Step 4:
Add the pupils and the mouth and bottom lip. Bottom lips are very important to expressions and dialog.
Fig: Head Construction1:4
HINT: The mouth is drawn slightly to one side - it keeps the design asymmetrical and it makes the character more appealing.
The pupils are always drawn as complete shapes (a) - and not as cutouts (b). Add the ears (c) for human characters they generally begin at the eyeline. Find the crown of the head at the back and draw the hair forward from there.
HINT: Think of it as covering the ball shape of the head. Continue to cover the sides of head (ball) and you have the basic head construction.
Step 5:
Fig: Head Construction1:5
Step 6:
Using the same principles of a simple head design, let's create other characters.
Using the same principles of a simple head design, let's create other characters.
Fig : Basic Head Construction1: 6
Again, draw a ball, and then draw the eyeline and the centerline. Remember, these lines always curve around the ball. In fact, draw 2 or 3 balls with eye lines and centerlines. Now add the eyes (anchored above the eye lines) and forms for snouts or muzzles below the eye lines.
HINT: Part of designing characters is play so play with different forms (3D shapes).
Step 7:
Fig Basic Head Construction1: 7
Draw a ball with the eyeline and centerline (a). Draw the eyes above… and the snout below… (b). Note in drawing (c), the bottom of the snout or muzzle is the top of the animal's mouth. Also, when the character has really large eyes, you can draw brows above the eyes. These brows parallel the eye shape.
Basic Head Construction : 2
Obviously, not all character's heads are designed as perfectly round. This section shows how to create more complex character head construction.Step 1:
We can accomplish our task by adding to the ball shape below the eyeline - a combination cheek and jaw line - that extends from one side of the eyeline to the other side of the eyeline.
Fig Basic Head Construction2: 1
HINT: This cheek/jaw line comes in handy for squashing and stretching the cheek/jaw line during lip sync (dialog).
Step 2:
Fig: Head Construction2:2
Fig: Head Construction2:3
Fig: Head Construction2:4
Fig: Head Construction2:5
Just remember that the details are always added last.
Character Construction with Basic Shapes:
Final image
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